“Leonard Cohen: Live in London” was on the local PBS outlet last evening. I am a huge Cohen fan and have been since 1971 when his music was use in the Robert Altman film “McCabe and Mrs. Miller.” (This is a great movie and worthy of immediate ordering from Netflix).
From Wikipedia:
Leonard Norman Cohen, (born September 21, 1934) is a Canadian singer-songwriter, God Among Men, musician, poet and novelist. Cohen published his first book of poetry in Montreal in 1956 and his first novel in 1963. His work often deals with the exploration of religion, isolation, sexuality and complex interpersonal relationships. Famously reclusive, spending years in a Zen Buddhist monastery, and possessing a persona frequently associated with mystique, he is extremely well-regarded by critics for his literary accomplishments and for producing an output of work of high artistic quality over a five-decade career. Musically, Cohen's earliest songs (many of which appeared on the 1967 album, Songs of Leonard Cohen) were rooted in European folk music. In the 1970s, his material encompassed pop, cabaret and world music. Since the 1980s his high baritone voice has evolved into lower registers (bass baritone and bass), with accompaniment from a wide variety of instruments and female backing singers.
Over 2,000 renditions of Cohen's songs have been recorded. Cohen has been inducted into both the Canadian Music Hall of Fame and the Canadian Songwriters Hall of Fame and is also a Companion of the Order of Canada, the nation's highest civilian honour. While giving the speech at his induction into the American Rock and Roll Hall of Fame on March 10, 2008, Lou Reed described Cohen as belonging to the "highest and most influential echelon of songwriters".
The London concert is Cohen’s first in 15 years. He will be in Atlanta on October 20 this year. Cohen returned to touring after he found that his manager had swindled him out of millions of dollars of retirement funds. Cohen successfully sued the manager but has yet to collect.
Suzanne
Suzanne takes you down to her place near the river
You can hear the boats go by
You can spend the night beside her
And you know that shes half crazy
But thats why you want to be there
And she feeds you tea and oranges
That come all the way from china
And just when you mean to tell her
That you have no love to give her
Then she gets you on her wavelength
And she lets the river answer
That youve always been her lover
And you want to travel with her
And you want to travel blind
And you know that she will trust you
For youve touched her perfect body with your mind.
And jesus was a sailor
When he walked upon the water
And he spent a long time watching
From his lonely wooden tower
And when he knew for certain
Only drowning men could see him
He said all men will be sailors then
Until the sea shall free them
But he himself was broken
Long before the sky would open
Forsaken, almost human
He sank beneath your wisdom like a stone
And you want to travel with him
And you want to travel blind
And you think maybe youll trust him
For hes touched your perfect body with his mind.
Now suzanne takes you hand
And she leads you to the river
She is wearing rags and feathers
From salvation army counters
And the sun pours down like honey
On our lady of the harbour
And she shows you where to look
Among the garbage and the flowers
There are heroes in the seaweed
There are children in the morning
They are leaning out for love
And they will lean that way forever
While suzanne holds the mirror
And you want to travel with her
And you want to travel blind
And you know that she will trust you
For shes touched your perfect body with her mind.
Cohen is 74 years old and recently collapse in Spain during a performance. This was apparently due to food poisoning. His voice is a deep baritone and he mostly speaks rather than sings, similar to the “sprechstimme” of Alban Berg. Cohen’s lyrics are deeply personal and not immediately accessible in casual listening. But exploring them carefully is worth the effort. “Hallelujah” is one such song. It has been covered by more than 200 artists worldwide, with one of the more famous versions being that of Tim Buckley. I also recommend the versions of k d lang and Rufus Wainwright.
Hallelujah
Now I've heard there was a secret chord
That David played, and it pleased the Lord
But you don't really care for music, do you?
It goes like this
The fourth, the fifth
The minor fall, the major lift
The baffled king composing Hallelujah
Hallelujah
Hallelujah
Hallelujah
Hallelujah
Your faith was strong but you needed proof
You saw her bathing on the roof
Her beauty and the moonlight overthrew you
She tied you
To a kitchen chair
She broke your throne, and she cut your hair
And from your lips she drew the Hallelujah
Baby I have been here before
I know this room, I've walked this floor
I used to live alone before I knew you.
I've seen your flag on the marble arch
Love is not a victory march
It's a cold and it's a broken Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
There was a time you let me know
What's really going on below
But now you never show it to me, do you?
And remember when I moved in you
The holy dove was moving too
And every breath we drew was Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
You say I took the name in vain
I don't even know the name
But if I did, well really, what's it to you?
There's a blaze of light
In every word
It doesn't matter which you heard
The holy or the broken Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
I did my best, it wasn't much
I couldn't feel, so I tried to touch
I've told the truth, I didn't come to fool you
And even though
It all went wrong
I'll stand before the Lord of Song
With nothing on my tongue but Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah
In the concert, Cohen looks thin and a bit frail. His hands are sinewy and show his veins and tendons. His skin is covered with age spots. He wears a fedora that he takes off from time to time and he has short salt and pepper hair. I anger myself because of my ageism-. I keep expecting him to forget the lyrics. He has a disarmingly sly smile that he flashes every so often. He sings with one fist clenched as if he is shouting at a crowd. I guess in a way he is.
The Sisters of Mercy
O the sisters of mercy they are not
Departed or gone,
They were waiting for me when I thought
That I just cant go on,
And they brought me their comfort
And later they brought me this song.
O I hope you run into them
You whove been traveling so long.
Yes, you who must leave everything
That you cannot control;
It begins with your family,
But soon it comes round to your soul.
Well, Ive been where youre hanging
I think I can see how youre pinned.
When youre not feeling holy,
Your loneliness says that youve sinned.
Well they lay down beside me
I made my confession to them.
They touched both my eyes
And I touched the dew on their hem.
If your life is a leaf
That the seasons tear off and condemn
They will bind you with love
That is graceful and green as a stem.
When I left they were sleeping,
I hope you run into them soon.
Dont turn on the light
You can read their address by the moon;
And you wont make me jealous
If I hear that they sweeten your night
We werent lovers like that
And besides it would still be all right
We werent lovers like that
And besides it would still be all right.
Cohen’s music is so personal, but personal not just for him but for each of us. We all can understand the heartbreak of broken promises and lost dreams. Only he says it better.
So Long, Marianne
Come over to the window, my little darling,
I'd like to try to read your palm.
I used to think I was some kind of Gypsy boy
before I let you take me home.
Now so long, Marianne, it's time that we began
to laugh and cry and cry and laugh about it all again.
Well you know that I love to live with you,
but you make me forget so very much.
I forget to pray for the angels
and then the angels forget to pray for us.
Now so long, Marianne, it's time that we began ...
We met when we were almost young
deep in the green lilac park.
You held on to me like I was a crucifix,
as we went kneeling through the dark.
Oh so long, Marianne, it's time that we began ...
Your letters they all say that you're beside me now.
Then why do I feel alone?
I'm standing on a ledge and your fine spider web
is fastening my ankle to a stone.
Now so long, Marianne, it's time that we began ...
For now I need your hidden love.
I'm cold as a new razor blade.
You left when I told you I was curious,
I never said that I was brave.
Oh so long, Marianne, it's time that we began ...
Oh, you are really such a pretty one.
I see you've gone and changed your name again.
And just when I climbed this whole mountainside,
to wash my eyelids in the rain!
Oh so long, Marianne, it's time that we began ...
A final note- if you see the concert, pay particular attention to the saxophonist- Dino Soldo. He is so skills with all of the instruments he plays. His fingers fly and his improvisations are amazing. He also looks like the definition of cool.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment